Knowing that painted worlds, like net worlds, are imagined, completely artificial, Huemer develops families of works that explore the problem of reality, the construction of realities and their perception in different formats. To do this, he often uses multiple digital sources for each picture.

In this way, we believe to see something that – at first glance – we think we recognize. But when we look more closely, we understand that we do not understand anything. For what we see is neither a logical, plausible real space, nor a story, but an image for which a large group of digital images has been “stitched together,” and not an image that depicts any kind of analog reality.